Alabaster, William. Roxana Tragaedia. London: William Jones, 1632. STC 2nd 250.
Anon. A Knacke to knowe a Knave.London: Richard Jones, 1592. STC 2nd 15027.
Anon.Look About You. London: William Ferbrand, 1600. STC 2nd 16799.
Anon.The Grete Herball. Southwark: Peter Treveris, 1526.
Anon. A Warning for Fair Women. London: William Aspley, 1599. STC 2nd 25089.
Astington, J. H. ‘The Origins of the Roxana and Messalina Illustrations.’ Shakespeare Survey 43 (Cambridge, 1991): 149–69.
_____. ‘The Wits Illustration, 1662.’ Theatre Notebook 47.3 (1993): 122–40.
Beaumont, Francis. The Knight of the Burning Pestle. London: Walter Burre, 1613. STC 2nd 1674.
Bedigan, K., W. Howard, and B. Jervis, eds. Food and Drink in Archaeology 4, University of Exeter, London: Prospect Books, 2010.
Berry, Herbert. The Boar’s Head Playhouse. Washington: Folger, 1986.
_____. ed. The First Public Playhouse: The Theatre in Shoreditch, 1576–1598. Montreal: McGill-Queen’s University Press, 1979.
_____.‘The Stage and Boxes at Blackfriars.’ Studies in Philology 63 (1966): 163–86.
Blatherwick, Simon, and Chris Pickard. ‘The Little Rose Estate: new insights into the Rose Theatre, Southwark: Part 1.’ London Archaeologist (Summer 2004), MOLA: 234–44.
_____. ‘The Little Rose Estate: new insights into the Rose Theatre, Southwark: Part 2.’ London Archaeologist (Autumn 2004), MOLA: 271–75.
Blum, Hans. A Description of the Five Orders of Columnes and Tearms of Architecture. London: William Fisher, 1668 [Zurich, 1550].
Bowsher, Julian. The Rose Theatre: An Archaeological Discovery. London: Art Books Intl. Ltd, 1989.
_____. ‘The Structure of the Rose.’ In New Issues in the Reconstruction of Shakespeare’s Theatre. Edited by F. J. Hildy. New York: Peter Lang, 1990, 55–78.
_____. ‘The Rose and its Stages,’ Shakespeare Survey 60. Edited by Peter Holland. Cambridge: Cambridge University Press, 2007, 36–48
_____. ‘Provisioning Shakespeare’s audiences: Food and Drink in the London Playhouses of the 16th and 17th century.’ In Food and Drink in Archaeology 4, University of Exeter. Edited by K. Bedigan, W. Howard, and B. Jervis. London: Prospect Books, 2010, 128–38.
_____. ‘Twenty years on: The archaeology of Shakespeare’s London playhouses.’ Shakespeare 7:4 (December 2011): 452–66.
Bowsher, Julian, and S. P. Cerasano, ‘The Deed in Partnership of the Rose Playhouse, (January 10, 1587), Muniment 16,’ Henslowe-Alleyn Digitisation Project: https://henslowe-alleyn.org.uk/essays/the-deed-of-partnership-in-the-rose-playhouse-january-10-1587/.
Bowsher, Julian, and Pat Miller. The Rose and the Globe: Playhouses of Shakespeare’s Bankside, Southwark: Excavations 1988-90. Museum of London Archaeology: Monograph 48, 2009.
Braines, W. W. The Site of the Globe Playhouse, Southwark. London: London County Council, 1924.
Carlin, Martha. Medieval Southwark. London: Hambledon Press, 1996.
Carson, Neil. A Companion to Henslowe’s Diary. Cambridge: Cambridge University Press,1988.
Chambers, E. K. The Elizabethan Stage, 4 vols. Oxford: Clarendon Press, 1923–25.
Chapman, George. An Humerous Dayes Myrth. London: Valentine Syms, 1599. STC 2nd 4987.
Clark, Gregory. ‘The Price History of English Agriculture, 1209–1914.’ Research in Economic History, 22 (2004): 41–124.
Cox, Montagu, and Philip Norman, eds. Survey of London: Volume 13, St Margaret, Westminster, Part II: Whitehall I. London, 1930.
Davenant, William. The Wits. London: Richard Meighen, 1636. STC 2nd 6309.
_____. The Unfortunate Lovers: A Tragedie. London: R.H., 1643. Wing D348.
Day, John. Law Tricks, or, Who Woul’d have Thought it? London: Richard More, 1608. STC 2nd 6416.
Dekker, Thomas. The Pleasant Comedie of Old Fortunatus. London: S. S. for William Aspley,1600. STC 2nd 6517.
Dessen, Alan, and Leslie Thomson. A Dictionary of Stage Directions in English Drama, 1580–1642. Cambridge: Cambridge University Press, 2001.
Dutton, Richard. ed. The Oxford Handbook of Early Modern Theatre. New York: Oxford University Press, 2009.
Eccles, Christine. The Rose Theatre. London: Nick Hern Books, 1990.
Egan, Gabriel. ‘The Lords Howard’s men at the Rose and on tour in 1599.’ Notes and Queries 244 (1999): 234–36.
_____. ‘Reconstructions of the Globe: A Retrospective.’ In Shakespeare Survey 52. Edited by Stanley Wells. Cambridge: Cambridge University Press, 1999, 1–16.
_____. ‘The Situation of the Lord’s Room: A Revelation.’ Review of English Studies, vol. 48 (1997): 297–309.
_____. ‘The Theatre in Shoreditch, 1576–1599.’ In The Oxford Handbook of Early Modern Theatre. Edited by R. Dutton. New York: Oxford University Press, 2009, 168–85.
Empson, William. Essays on Shakespeare, Cambridge: Cambridge University Press, 1994 .
‘Finishing the Globe: To Paint or Not to Paint.’ Shakespeare’s Globe Online Discovery Space – Research Papers: https://www.shakespearesglobe.com/learn/research-and-collections/research-resources/
Fitzpatrick, Tim. Playwrights, Space, and Place in Early Modern Performance: Shakespeare and Company. Farnham: Ashgate, 2011.
Fletcher, John. Wit Without Money. London: Thomas Cotes, 1639. STC 2nd 1691.
Foakes, R. A. Henslowe’s Diary. 2nd edn. Cambridge: Cambridge University Press, 2002.
_____. Illustrations of the English Stage 1580-1642. London: Scolar Press, 1985.
Graves, Robert B. Lighting the Shakespearean Stage, 1567–1642. Carbondale: Southern Illinois University Press, 1999.
Greene, Robert. The Historie of Orlando Furioso. London: 1594. STC 2nd 12265.
_____, The comicall historie of Alphonsus, King of Aragon. London: Thomas Creede, 1599. STC 2nd 12233.
Greenfield, Jon. ‘Reconstructing the Rose: Development of the Playhouse Building between 1587 and 1592.’ In Shakespeare Survey 60. Edited by Peter Holland. Cambridge: Cambridge University Press, 2007, 23–35.
_____. ‘Timber Framing, The Two Bays and After.’ In Shakespeare’s Globe Rebuilt. Edited by J. R. Mulryne and M. Shewring. Cambridge: Cambridge University Press, 1997, 97–120
Greenfield, Jon, and Andrew Gurr. ‘The Rose Theatre, London: the state of knowledge and what we still need to know.’ Antiquity 78: 300 (June 2004): 330–40.
Greg, W. W. Henslowe Papers: being documents supplementary to Henslowe’s Diary. Oxford: Oxford University Press, 1907.
Gurr, Andrew. ‘The Bare Island.’ Shakespeare Survey 47 (1994), 29–43.
_____. ‘Bears and Players: Philip Henslowe’s Double Acts’, Shakespeare Bulletin 22:4 (Winter 2004): 31–41.
_____. ‘New Questions about the Rose.’ Times Literary Supplement, 18 April 2003, n.p.
_____. Playgoing in Shakespeare’s London. 2nd edn. Cambridge: Cambridge University Press,1996.
_____. ‘The Rose repertory: what the plays might tell us about the stage.’ In New Issues in the Reconstruction of Shakespeare’s Theatre. Edited by F. J. Hildy. New York: Peter Lang, 1990, 119–34.
_____. The Shakespearian Stage 1574–1642, 3rd edn. Cambridge: Cambridge University Press, 1992.
_____. Shakespeare’s Opposites: The Admiral’s Company 1594-1625. Cambridge: Cambridge University Press, 2009.
Gurr, Andrew, and James Orrell. ‘What the Rose can tell us.’ Antiquity 63:240 (September, 1989): 421–29.
Gurr, Andrew, and Mariko Ichikawa. Staging in Shakespeare’s Theatres. Oxford: Oxford University Press, 2000.
Harris, Jonathan G., and Natasha Korda, eds. Staged Properties in Early Modern English Drama. Cambridge: Cambridge University Press, 2002.
Harrison, Stephen. The Arch’s of Triumph Erected in Honor of the High and Mighty Prince James. London: John Sudbury and George Humble 1604. STC 2nd 12863.
Hattaway, Michael. Elizabethan Popular Theatre. Plays in Performance. London: Routledge & Paul Kegan, 1969.
Haughton, William. English-Men For my Money: Or, A pleasant Comedy, called, A Woman will haue her Will. London: W. White, 1616. STC 2nd 12931.
Heywood, Thomas. A Woman Kilde with Kindness. London: William Jaggard, 1607. STC 2nd 13371.
_____. The Brazen Age. London: Nicholas Oakes, 1613. STC 2nd 13310.
_____. Gynaikeion: or, Nine bookes of various history. London: Adam Islip, 1624. STC 2nd 13326.
Hildy, F. J. New Issues in the Reconstruction of Shakespeare’s Theatre: Proceedings of the Conference Held at the University of Georgia, February 16-18, 1990. New York: Peter Lang Publishers, 1990.
Hodges, C. Walter. ‘Reconstructing the Rose.’ In New Issues in the Reconstruction of Shakespeare’s Theatre. Edited by F. J. Hildy. Peter Lang Publ. 1990, 79–94.
_____. ‘What is possible: The Art and Science of Mistakes.’ In New Issues in the Reconstruction of Shakespeare’s Theatre. Edited by F. J. Hildy. Peter Lang Publ. 1990, 39–53.
Hosley, Richard. ‘Was there a music-room at Shakespeare’s Globe?’ Shakespeare Survey 13 (1960): 113–23.
Ichikawa, Mariko. The Shakespearean Stage Space. Cambridge: Cambridge University Press, 2013.
_____. ‘“The stage is hung with blacke”: On the Use of Black Curtains for Tragedies in the Early Modern Period’, Theatre Notebook 68.3 (2014): 153–88.
_____. ‘Were the doors open or closed? The use of the doors in Shakespeare’s Theatre.’ Theatre Notebook 60.1 (2006): 5–29.
_____. ‘“What Story is that Painted Vpon the Cloth?”: Some Descriptions of Hangings and their Use on the Early Modern Stage.’ Theatre Notebook 70 (2016): 2–31.
Ingram, William. ‘John Cholmley on the Bankside.’ Early Theatre 15.2 (2012): 43–65.
Keenan, Siobhan, and Peter Davidson. ‘The Iconography of the Globe.’ In Shakespeare’s Globe Rebuilt. Edited by Ronnie Mulryne and Margaret Shewring. Cambridge: Cambridge University Press, 1997, 147–56.
Kirkman, Francis (?).The Wits, or Sport Upon Sport, Part I. London: Henry Marsh, 1662.Wing W3128.
Kyd, Thomas. The Spanish Tragedie, containing the lamentable end of Don Horatio, and Bel-imperia : with the pittifull death of olde Hieronimo. London: Edward Allde, . STC 2nd 15086.
Lambard, William, A Perambulation of Kent, Conteining the Description, Hystorie, and Customes of that Shyre. London: Ralphe Newberie, 1576.
Lee, M., ed. Dudley Carleton to John Chamberlain, 1603–1624: Jacobean Letters. New Brunswick, NJ: Rutgers University Press, 1972.
Lodge, Thomas and Robert Greene. A Looking Glasse for London and England (London: Thomas Creede, 1594). STC 2nd 16679
Loengard, S. ‘An Elizabethan lawsuit.’ Shakespeare Quarterly, 34: 3 (Autumn 1983): 298– 310.
Malone, Edward. Historical Account of the English Stage, vol. III. London: R. C. and J.Rivington, 1800.
Manley, Lawrence, and Sally-Beth MacLean. Lord Strange’s Men and their Plays. New Haven: Yale University Press, 2014.
Mao, Yuanbo. ‘The Rose Playhouse in Context.’ Doctoral Thesis submitted to the Faculty of English Language and Literature of the University of Oxford, 2016: Oxford University Research Archive: https://ora.ox.ac.uk/objects/uuid:86467c23-e16b-4ee4-b625-c8deea5cd491.
Marlowe, Christopher. Tamburlaine the Great Who, from a Scythian shephearde, by his rare and woonderfull conquests, became a most puissant and mightye monarque. London: Richard Jones, 1590. STC 2nd 17425.
_____. Tamburlaine the Great, The Second Part of the bloody Conquests of mighty Tamburlaine. London: Richard Jones, 1590. STC 2nd 17425.
_____. The Massacre at Paris: with the Death of the Duke of Guise. London: E.A. for Edward White, [1596?]. STC 2nd 17423.
_____. The Tragicall History of the Life and Death of Doctor Faustus. London: John Wright, 1616. STC 2nd 17432.
McMillin, Scott.The Elizabethan Theatre and The Book of Sir Thomas More. Ithaca, N.Y.,Cornell University Press, 1987.
Middleton, Thomas. A Mad World, My Masters. London: Walter Burre, 1608. STC 2nd 17888.
Mitton, Geraldine, ed. Maps of Old London, London: Adam & Charles Black, 1908.
Mulryne, J. R., and M. Shewring, eds. Shakespeare’s Globe Rebuilt. Cambridge: Cambridge University Press, 1997.
Munday, Anthony and Henry Chettle. The Downfall of Robert Earl of Huntington. London: William Leake, 1601. STC 2nd 18271.
_____. The Death of Robert Earl of Huntington. London: William Leake, 1601. STC 2nd 18269.
Orrell, John. ‘The London Stage in the Florentine Correspondence, 1604-1618.’ TRI 3 (1977–8): 155–81.
_____. ‘Nutshells at the Rose.’ Theatre Research International, 17:1 (Spring 1992): 8–14.
Parkes, William, The Curtaine-drawer of the World: or the Chamberlaine of that Great Scene of Iniquity. London, 1612.
Peele, George (?). The Battell of Alcazar. London: Edward Allde, 1594. STC 2nd 19531.
____. The love of King David and fair Bethsabe. London: Adam Islip, 1599. STC 2nd 19540.
_____. The Dramatic Works of George Peele. John Yoklavich, ed. New Haven: Yale University Press, 1961.
Platter, Thomas. Travels in England 1599. Translated by Clare Williams,. London: J. Cape, 1937.
Porter, Henry. The Pleasant History Of the Two Angry Women of Abington. London: William Ferbrand 1599. STC 2nd 20122.
Reader, Francis. ‘Tudor Domestic Wall Paintings: Part I’. Archaeological Journal, no. 92 (1936): 243–86.
Rhodes, Ernest. Henslowe’s Rose: The Stage and Staging. Lexington: University Press of Kentucky, 1976.
Richards, Nathanael. The Tragedy of Messallina, the Roman Emperesse. London: Daniel Frere, 1640. STC 2nd 21011.
Roberts, Sir Howard, and Walter Godfrey, eds. Survey of London: Volume 22, Bankside (The Parishes of St. Saviour and Christchurch Southwark), London: London County Council, 1950.
Ronayne, John. ‘Style.’ In ‘The shape of the Globe’: Report on the seminar held at Pentagram Limited, London by the International Shakespeare’s Globe Centre (ISGC) on 29 March 1983. Edited by Andrew Gurr, John Orrell, and John Ronayne. The Renaissance Drama Newsletter Supplements 1. Coventry: University of Warwick Graduate School of Renaissance Studies, 1983, 22–24.
_____. ‘Totus Mundus Agit Histrionem: The Interior Decoration Scheme of the Bankside Globe.’ In Shakespeare’s Globe Rebuilt. Edited by Ronnie Mulryne and Margaret Shewring. Cambridge: Cambridge University Press, 1997, 121–46.
Rowan, D. F. ‘The staging of The Spanish Tragedy.’ In The Elizabethan Theatre, 5th edn. Edited by G. R. Hibbard. Hamden, CT: Archon Books, 1975.
Rutter, Caroline C. Documents of the Rose Playhouse. 2nd edn. Manchester: Manchester University Press, 1999.
Sabbatini, Nicola. Pratica di Fabricar Scene e Machine ne’ Teatri. Ravenna: P. de’ Paolo e G. B. Giovannelli, 1638.
Salzman, L. F. Building in England Down to 1540: A Documentary History. Oxford: Clarendon Press, 1952.
Schanzer, Earnst. ‘Thomas Platter’s Observations on the Elizabethan Stage.’ Notes & Queries 201 n.s. 3:11 (1956): 467.
Shakespeare, William. The Most Lamentable Romaine Tragedie of Titus Andronicus. London: John Danter, 1594. STC 2nd 22328.
_____. Shakespeares Comedies, Histories, and Tragedies, being a Reproduction in Facsimile of the First Folio Edition 1623 from the Chatsworth copy in the possession of the Duke of Devonshire, K.G. with an Introduction and Census of Copies by Sidney Lee. Oxford: At the Clarendon Press, 1902.
Sharpham, Edward. Cupid’s Whirligig. London: E. Allde, 1607. STC 2nd 22380.
Sherwitzer, M., and J. Zerdy, eds. Performing Objects and Theatrical Things. London: Palgrave, 2014.
Shute, John. The First and Chief Groundes of Architecture, London, 1563. STC 2nd 22464.
Smith, Bruce R. The Key of Green: Passion and Perception in Renaissance Culture. Chicago:University of Chicago Press, 2009.
Stephens, John. Satyrical Essayes, Characters and Others. London: E. Allde, 1615. STC 2nd 23250.
Stern, Tiffany. ‘Behind the Arras: The Prompter’s Place in the Shakespearean Theatre.’ Theatre Notebook 55.3 (2001): 110–18.
_____. ‘”You That Walk I’th Galleries”: Standing and Walking in the Galleries of the Globe Theatre.’ Shakespeare Quarterly 51, (2000): 211–16.
Stockwood, John. A sermon Preached at Paules Crosse on Barthelmew Day. London: Henry Bynneman for George Byshop, 1578. STC 2nd 23284.
Stow, John. A Survey of London. Reprinted From the Text of 1603. Edited by C. L. Kingsford, 2 Vols. Cambridge: Cambridge University Press, 2015.
Tatham, John. A Fancies Theatre. London: John Norton, 1641. STC 2nd 23704.
Thomas, Thomas. Dictionarium Linguae Latinae et Anglicanae. London: Richard Boyle, 1587. STC 2nd 24008.
Thomson, Peter. Shakespeare’s Theatre. 2ndedn. London: Routledge, 1992.
Tompkins, Joanne. ‘Making the Invisible Visible: Virtual Stage Props and Christopher Marlowe’s Dr Faustus.’ In Performing Objects and Theatrical Things. Edited by M. Sherwitzer and J. Zerdy. London: Palgrave, 2014, 161–72.
Tompkins, Joanne, and Matthew Delbridge. ‘Using Virtual Reality Modelling In Cultural Management, Archiving and Research’, EVA London 2009: Electronic Visualisation and the Arts. Conference Proceedings. Edited by Alan Seal, Suzanne Keene, and Jonathan Bowen. London: British Computing Society (July, 2009), 260–69.
Tompkins, Joanne, and Lazaros Kastanis. ‘Staging supernatural creatures in a computer-based visualisation of London’s sixteenth-century Rose Theatre.’ International Journal of Performance Arts and Digital Media, 13:1 (2017): 4–20.
van Zanden, Jan Luiten. ‘Wages and the cost of living in Southern England (London) 1450–1700,’ International Institute of Social History, 2002: https://iisg.amsterdam/en/blog/research/projects/hpw/datafiles?back-link=1 .
Wallace, C. W. The First London Theatre: Materials for a History. Lincoln: University of Nebraska, 1913.
Whitney, Geffrey. A Choice of Emblemes, and other devises. Leyden, 1586. STC 2nd 25438.
Wickham, Glynne. Early English Stages 1300-1660, Vol. 2, Prt 2 . London: Routledge, 2002.
_____. ‘“Heavens”, Machinery, and pillars in the Theatre and other early Playhouses.’ In The First Public Playhouse: The Theatre in Shoreditch, 1576-1598. Edited by Herbert Berry. Montreal: McGill-Queen’s University Press, 1979, 1–15.
_____. Shakespeare’s Dramatic Heritage. London: Routledge & Kegan Paul,1969.
Wickham, G., H. Berry, and W. Ingram, English Professional Theatre, 1530-1660. Cambridge: Cambridge University Press, 2000.
White, Thomas. A Sermo[n] Preached at Pawles Crosse…in the Time of the Plague. London: [Henry Bynneman for] Francis Coldock, 1578. STC 2nd 25406.
Wilson, Robert. The Three Lords and Three Ladies of London. London: R. Jones, 1590. STC 2nd 25783.
Museum of London, Rose Site Info: (SBH88): https://collections.museumoflondon.org.uk/online/search/#!/results?terms=sbh88
Henslowe-Alleyn Digitisation Project: https://www.henslowe-alleyn.org.uk/
VR Models of the Rose Playhouse
‘Recreation of the Rose Theatre,’ Ortelia (2013), with Prof. Joanne Tompkins (University of Queensland): https://ortelia.com/project/recreation-of-the-rose-theatre/
Rhys Griffin (2016), model creator in association with ‘The Lost Valley of London’ for ‘Shakespeare’s Secret Playhouse’ https://www.roseplayhouse.org.uk/experience/videos/
VR model of The Theatre Playhouse
Cloak and Dagger Ltd. (2012), with Museum of London Archaeology (MOLA): https://www.mola.org.uk/blog/step-inside-shakespeares-first-theatre Henslowe’s Rose playhouse may have been modelled on the 1576 Theatre. For the model by Cloak & Dagger, most of the data for their model came from the Rose as only a small area of the Theatre has been uncovered.